ATC’s new project, The Shakespeare Underground, is an exuberant, fun, unpredictable take on classic plays from Shakespeare and a variety of authors. The concept of the project is a combination of guerrilla street theater and traditional Elizabethan staging methods. What’s more “underground” than that? Please join us to hear something that you’ve probably never heard before.
The 2018 Shakespeare Underground season is presented by PNC Arts Alive.
Upcoming (through 2018):
April 28, 2018: TSU:24 @ COPIOUS
The challenge: Learn an entire Shakespeare play in 24 hours. The payoff: an unpredictable and likely memorable performance for the actors and their audience.
24 hours before showtime, ATC will gather together actors, a director, and a stage manager. The actors will be assigned roles by a live-streamed random drawing. They will receive their lines only (and maybe a phrase to cue them). 24 hours later, the doors will open, the lights will go up, and anything could happen.
Oh yeah, and the play is secret this time, so join us and find out!
Admission is $15 in advance, or “Pay What You Will” at the door. Complimentary reserved seating is available for ATC members (members must RSVP for reserved seating).
May 21, 2018: THE WOMAN'S PRIZE
THE WOMAN’S PRIZE by John Fletcher
June 18, 2018: ELECTRA
ELECTRA by Benito Perez Galdos
July 16, 2018: THE RECRUITING OFFICER
THE RECRUITING OFFICER by George Farquhar
August 20, 2018: RAM-ALLEY: OR MERRY TRICKS
RAM-ALLEY: OR MERRY TRICKS by Lording Barry
September 17, 2018: MINE EYES HAVE SEEN
MINE EYES HAVE SEEN by Alice Dunbar Nelson
October 15, 2018: THE VAMPIRE
THE VAMPIRE by James Robinson Planche’
November 19, 2018: MYSTERY BOUFFE
MYSTERY BOUFFE by Vladimir Mayakovsky
December 17, 2018: EXILES
EXILES by James Joyce
April 16, 2018: UBU ROI
UBU ROI by Alfred Jarry – RESCHEDULED!
Come celebrate the absurdities of politics by seeing our rendition of Ubu Roi this spring! Alfred Jarry’s 1896 satirical farce was originally performed as a puppet show and pilloried contemporary politics, literature, and stage convention. Nominally about a selfish, cowardly, gluttonous, vulgar, hot-tempered dotard compelled to violently overtake Poland by his ambitious wife, the play’s free-form nature guarantees a zany evening.
Viewer discretion advised: This reading might not be suitable for children under the age of 13 or adults with any sense of decency or civility.
Director- David Harewood
March 19, 2018: MACHINAL
MACHINAL by Sophie Treadwell
Machinal is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. Its Broadway premiere, directed by Arthur Hopkins, is considered one of the highpoints of Expressionist theatre on the American stage.
Director- Jennifer Feather Youngblood
February 19, 2018: R.U.R.
R. U. R. by Karel Capek
R.U.R. (Rossum’s Universal Robots) by Karel Capek is the influential 1920 science fiction play that introduced the word “robot” to the English lexicon in its sense of “artificial intelligence.” The comic-tragic script deals with issues of growing automation, oppression of the working class, the future, and what it means to be a person.
Producer- Adam Simon
Director- Philip J. Hickman
Stage Manager- Megan Lear
House Manager- Jordan Estose
Harry Domin- Scott Douglas Wilson
Sulla & Other Robots- Christina Yoho
Marius & Radius- Ben Sostrom
Helena Glory- Beth Josephsen
Dr. Gall & Primus- Jordan Fehr
Dr. Fabry- Jason Speicher
Dr. Hallemeier & Other Robots- Samuel Bowen Partridge
Mr. Alquist- Chris Austin
Counsul Busman- Ken Erney
Nana- Cat Erney
November 20, 2017: THE WITCH OF EDMONTON
THE WITCH OF EDMONTON by William Rowley, Thomas Dekker and John Ford: This 1621 play was inspired by the true story of the trial and execution of Elizabeth Sawyer, accused of practicing witchcraft in the town of Edmonton, England. Persecuted by the repressive Puritan community in which she lives, Elizabeth Sawyer summons the Devil in the guise of a dog to seek revenge on her tormentors.
Produced with Tipping Point Theatre Company
Director- Sonda Staley
Stage Manager- Ellie Allen
Anne Ratcliffe- Michelle Weiser
Cuddy Banks- Stephen Hanna
Elizabeth Sawyer- Josie Merkle
Frank Thorney- Scott Douglas Wilson
Winnifred- Nikki Davis
Kate Carter- Michelle Sandler
Master Carter- Greg Hoffman
Master Ratcliffe- Bob Stein
Master Thorney- Ken Erney
Sir Arthur- Scott Wilson
Sommerton- Philip J. Hickman
Susan Carter- Ella Palardi
The Devil Dog- Ben Sostrom
Warbeck- Adam Simon
October 16, 2017: VOTES FOR WOMEN!
VOTES FOR WOMEN! by Elizabeth Robins: The first suffragette play, Votes for Women! was Elizabeth Robins’ most famous work for the stage. Set in England in 1907 the protagonist, Jean, is engaged to an older politician, Stoner, who is up for election. At a society gathering Jean meets the mysterious Miss Levering, who shocks Jean by telling her about the plight of poor and homeless women in England. This leads Jean to attend a suffragette rally and experience the politics of her day up close and personal for the first time. The rally wakes Jean to more than just politics, though, as Miss Levering’s past is revealed.
Director- Beth Josephsen
Stage Manager- Rebecca Sharrer
Amanda Cawthorne Short
Vicky Welsh Bragg
Robert “Mac” McDannold
Samuel Bowen Partridge
September 18, 2017: OUR COUNTRY'S GOOD
OUR COUNTRY’S GOOD by Timberlake Wertenbaker: This Tony-nominated play is the true story of the first convicts transported to Australia – and their production of The Recruiting Officer, the hit comedy of the 1780s. It is a profound story on the nature of justice and class, and is deeply invested in how the “theater can be a humanizing force.”
Director- Philip J. Hickman
Stage Manager- Ellie Allen
House Manager- Grace Reinhart
Capt. Arthur Phillip/John Wisehammer- Shaun Brown
Maj. Robbie Ross/Ketch Freeman- Casey Merkey
Capt. David Collins/Robert Sideway- Adam Simon
Capt. Watkin Tench/Black Caesar/Aborigine- Chris Casanova Jones
Capt. Jeremy Campbell/Harry Brewer/John Arscott- David Harewood
Rev. Johnson/Liz Morden- Colleen Nerney
Lt. George Johnston/Mary Brenham- Alison Brogan
Lt. Will Dawes/Meg Long/ Duckling Smith- Beth Josephsen
2nd Lt. Ralph Clark- Samuel Bowen Partridge
2nd Lt. William Faddy/Dabby Bryan- Ayla Stirnaman
August 21, 2017: FASHION, OR, LIFE IN NEW YORK
FASHION, OR LIFE IN NEW YORK by Anna Cora Mowatt (1845): A social satire on a young country and the follies that can befall a nation trying to find its identity. Fashion features social-climbing New Yorkers trying to imitate European manners, scoundrels trying to escape their misdeeds by fleeing to America, and a scattering of honest men and women chipping away at the affected pretensions of their countrymen. Although this play was written over 170 years ago, its ideas still hold true—all that glitters is not gold, sometimes what seems like coal is truly a diamond in the rough, and what’s in fashion can’t always be trusted.
Director- Andy Falter
Stage Management- Rebecca Sharrer
House Management- Keely Heyl
Adam Trueman- Robert “Mac” McDannold
Count Jolimaitre- Stefan Langer
Colonel Howard- John Vincent Quigley
Mr. Tiffany- Victor Little
T. Tennyson Twinkle- Stefan Farrenkopf
Augustus Fogg- Jeb Bigelow
Snobson- Justin Nawman
Zeke- David Harewood
Mrs. Tiffany- Alycia Yates
Prudence- Emily Turner
Millinette- Natalia White
Gertrude- Chloe Beck
Seraphina Tiffany- McLane Nagy
July 17, 2017: A BOLD STROKE FOR A WIFE
A BOLD STROKE FOR A WIFE by Susanna Centlivre (1717): In this comedy, Centlivre evaluates the social obstacles that come with money, power, and love. Four guardians, each possessing contradictory opinions and attitudes, hold Anne Lovely under their protection and refuse her to wed until they each approve of the same man. A spirited military officer is determined to outwit them all. Lovely joins his pursuit, and together they form a plan to manipulate the men. Centlivre writes with satirical, bold strokes. She critiques political and social systems in eighteenth-century England and reimagines the role of marriage in A Bold Stroke for a Wife.
Director- Allison Brogan
Stage Management- Alexa Raasch
House Management- Grace Rinehart
Freeman/Simon Pure- Shane Egan
Mrs. Prim- Beth Josephsen
Periwinkle- Stewart Bender
Tradelove- Colton Weiss
Col. Fainwell- Justin King
Anne Lovely- Aileen Targett
Obediah Prim- Trenton Weaver
Betty- Karlie Kaizer
Sir Phillip Modelove- Shaun Brown
Sackbut- Jason Speicher
June 19, 2017: A MAN'S WORLD
A MAN’S WORLD by Rachel Crothers (1910): A great lead-in to this series, A Man’s World is the story of Frank Ware, a female author in Greenwich Village in 1910, who publishes under a man’s name in order to get ahead.
Director- Adam Simon
Stage Management- Alexa Raasch
House Management- Ayla Stirnaman and Grace Rinehart
Frank Ware- Susan Wismar
Lione Brune- Aileen Targett
Clara Oakes- Allison Brogan
Kiddie- Gretchen Reed
Malcolm Gaskell- Ross Shirley
Fritz Bahn- Philip J. Hickman
Wells Trevor- David Harewood
Emile Grimeaux- Ben Sostrom