ABOUT
This adaptation of Othello is set against the tense backdrop of the 1950s Cold War, unfolding either in NATO-aligned Italy or on a U.S. Air Force base. In this world, surveillance, paranoia, and loyalty shape every relationship, and the greatest threat comes not from outside invaders but from the enemy within. Shakespeare’s tragedy is reframed as a story of suspicion and conformity, where love and ambition are shadowed by the state’s ever-present gaze.
CHARACTER DESCRIPTIONS
OTHELLO
Black, African American, or BIPOC
Male Identifying Character
Role: Othello is a decorated Air Force General and NATO Commander, a figure whose authority and battlefield accomplishments have made him a celebrated hero in the postwar era.
Background: As a Black/African American/foreign-born military leader, Othello is often held up as a symbol of progress and strength. However, his differences set him apart, and he remains forever an outsider in the institutions he serves.
Key Traits: Othello maintains rigid discipline and emotional restraint, traits that others frequently mistake for inner strength. Beneath this exterior lies a deep, internalized fear that he will be exposed as “unfit” or inadequate, a fear rooted in the knowledge that his status is always provisional.
DESDEMONA
All ethnicities are encouraged to submit.
Female Identifying Character
Role: Desdemona is the daughter of a senator/ high-ranking diplomat, navigating the expectations of 1950s womanhood. She is polite and well educated, with a progressive outlook, yet she remains constrained by the social norms of her era.
Background: Her marriage to Othello is both a deeply romantic choice and a political shock, defying conventional expectations. Desdemona truly believes that love can overcome societal systems and prejudices, but she tragically underestimates just how dangerous the world can be for her husband.
Key Traits: Desdemona is idealistic, driven by an earnest belief in fairness and justice. She exhibits a quiet defiance, challenging restrictions placed upon her without open rebellion.
IAGO
All ethnicities are encouraged to submit.
Male Identifying Character
Role: Iago serves as an intelligence officer/counterintelligence operative. At his core, he is a master manipulator and a consummate professional, embodying the logic of Cold War intelligence work: control information rather than people.
Background: Iago sees himself as a patriot, convinced that Othello is a security risk. He operates by spreading whispers, making implications, and maintaining plausible deniability, always careful to stay just within the rules. His actions are guided by covert operations, not by direct confrontation.
Key Traits: Iago is calm, efficient, and charming, never revealing his true emotions. He presents himself as someone who is always “just asking questions,” using this approach to mask his manipulations.
EMILIA
All ethnicities are encouraged to submit.
Female Identifying Character
Role: Emilia is cast as a military wife/ intelligence clerk. She understands the inner workings of the system intimately but finds herself largely powerless within it.
Background: Emilia spends her days typing reports, filing documents, and overhearing everything that transpires around her. She comprehends the cruelty of men and the injustices of the world long before Desdemona does.
Key Traits: Emilia is deeply cynical and a sharp observer of those around her. Although her courage emerges late, it is nevertheless powerful and transformative when it appears.
CASSIO
All ethnicities are encouraged to submit.
Male Identifying Character
Role: Cassio is a young officer and the embodiment of a public relations-friendly military man. He is clean-cut, photogenic, and well-connected, representing the aspirations of a modernizing institution.
Background: Cassio represents the future face of the military. He is less experienced than Othello but is seen as more palatable to the public and military leadership.
Key Traits: Cassio is earnest and highly conscious of his image. He moves smoothly in social situations, always mindful of how he is perceived by others.
BRABANTIO
All ethnicities are encouraged to submit.
Male Identifying Character
Role: Brabantio is depicted as a senator, ambassador, or industrialist. In the 1950s adaptation, his objections to Desdemona’s marriage are coded and respectable, never overtly bigoted.
Key Traits: A man who confuses order with morality and authority with love—and cannot survive the moment those illusions fail.
RODERIGO
All ethnicities are encouraged to submit.
Male Identifying Character
Role: Roderigo is a wealthy civilian, contractor, or political donor. In the 1950s setting, he is entitled and believes that influence and resources should guarantee affection or access.
Key Traits: Roderigo is petty, easily manipulated and radicalized, and desperate to belong within influential circles.
ENSEMBLE et al.
(Guards, Senators, Clerks, Officers, Citizens)
The ensemble embodies the machinery of the state. Those individuals who make power visible, enforceable, and routine. They are not cast as villains or heroes, but as participants in a system defined by order, loyalty, and quiet compliance.
The ensemble serves as the eyes, ears, and silent witnesses of Cold War society. They are the clerks who file reports without comment, the guards who follow orders without question, the senators who nod in agreement, and the citizens who repeat rumors without pausing to consider their truth. Together, they reinforce the era’s norms and maintain the structure of the world around them.
SIDES
Othello sides are available here so that you may familiarize yourself with them prior to auditions. You may be asked to read a side as part of a day-of callback.